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The Lovers (French: Les Amants (French pronunciation: [lez‿amɑ̃])) is a surrealist painting by René Magritte, made in Paris in 1928. It's the first in a series of four variations, and in the painting two people can be seen kissing passionately with their faces covered in a white cloth hiding their identities.
A Lover's Discourse is mentioned in, and central to, the plot of Jeffrey Eugenides' novel The Marriage Plot (2011). [5] Artist Tessa Boffin quoted sections of Barthes' text in a photo-essay titled A Lover's Distance. [6] [7] Claire Denis's 2017 film, Let the Sunshine In, is based on A Lover's Discourse. [8]
The Lovers (previously known as Singularity, released in the UK as Time Traveller and in Belgium under the French title La Prophétie de l'anneau) is a 2013 Belgian romance time travel adventure film written and directed by Roland Joffé from a story by Ajey Jhankar.
The main function of the lovers within the play is to be in love; and in doing so, they come upon obstacles that keep them from pursuing their relationship. These obstacles stemmed from varied causes. For instance, the financial or personal interests of a lover's parent may have prevented the lovers' relationship from progressing.
Fuyutsuki traces his youth and his meeting with Yui Ikari, a young scientist with whom he falls in love. Ryoji Kaji, a member of Nerv, meanwhile rescues Fuyutsuki, and is killed by Seele. Gainax wrote "He was aware that he was still a child" in haste due to a tight production schedule and time limitations.
“Distance unites missing beats of two hearts in love.” ― Munia Khan “I believe in the immeasurable power of love; that true love can endure any circumstance and reach across any distance.”
The Lovers, a 1950s R&B duo of Tarheel Slim and Little Ann; The Lovers or the title song, by the Legendary Pink Dots, 1984 "The Lovers" (Alexander O'Neal song), 1988 "The Lovers", a song by Nine Inch Nails from Add Violence, 2017; The Lovers, a 2022 Australian musical theatre adaptation of A Midsummer Night's Dream
The creatives behind 'One Hundred Years of Solitude' knew the best way to make something Gabriel García Márquez would have been proud of was to make it their own.