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The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
The Aztec Kings: The Construction of Rulership in Mexica History. Tucson: University of Arizona Press. ISBN 0-8165-1095-4. OCLC 60131674. Harvey, Doug (2012). "How a Feathered God Presided Over a Golden Age of Mexican Art". Humanities: The Magazine of the National Endowment of the Humanities. Vol. 33, no. 5. pp. 34–39.
In Aztec mythology the Lords of the Day (Classical Nahuatl: Tonalteuctin) [citation needed] are a set of thirteen gods that ruled over a particular day corresponding to one of the thirteen heavens. [citation needed] They were cyclical, so that the same god recurred every thirteen days. In the Aztec calendar, the lords of the day are [1]
Haiphong or Hai Phong (Vietnamese: Hải Phòng) is the third-largest city in Vietnam and is the principal port city of the Red River Delta. [8] The municipality has an area of 1,526.52 km 2 (589.39 sq mi), [ 1 ] consisting of 8 urban districts , 6 rural districts and 1 municipal city (sub-city).
In Aztec cosmology, the four corners of the universe are marked by "the four Tlálocs" (Classical Nahuatl: Tlālōquê [tɬaːˈloːkeʔ]) which both hold up the sky and function as the frame for the passing of time. Tláloc was the patron of the Calendar day Mazātl. In Aztec mythology, Tláloc was the lord of the third sun which was destroyed ...
Funded by the Vietnam Air Traffic Management Corporation with an investment of 80 billion VND, the project aimed to build a 42.9-meter-high control tower with modern, synchronized facilities. It can manage 30 takeoff and landing operations per hour, reducing cloud ceiling requirements from 180m to 80m and visibility from 2,800m to 800m ...
The earliest forms of Vietnamese religious practice were animistic and totemic in nature. [11] The decorations on Đông Sơn bronze drums, generally agreed to have ceremonial and possibly religious value, [nb 2] depict the figures of birds, leading historians to believe birds were objects of worship for the early Vietnamese.
The legend of Son Tinh and Thuy Tinh (Mountain God and Water God) [12] The betrayal of An Dương Vương [13] Hoan Kiem Lake – Le Loi and the Magical Sword [citation needed] Ông Táo – the Kitchen Gods [14] The origins of bánh chưng-the story of Lang Lieu [15] Four Elements – the Turtle, the Dragon, the Unicorn and the Phoenix [16]