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Gender-Neutral Baby Names That Mean Spring 48. Aviv. Although primarily a male name, this Hebrew moniker meaning “barely ripening” and “spring season” has gender-neutral potential, too. 49 ...
Albanians of Muslim background often bear Christian last names (denoting former Christian origin), and those with Christian often bear Muslim last names (which many in Northern regions adopted thinking it would lead to better treatment from the Ottoman authorities), although the holders of Bektashi surnames are usually actually of Bektashi ...
Antonia, Antónia, Antônia, or Antonía is a feminine given name and a surname. It is of Roman origin, used as the name of women of the Antonius family. Its meaning is "priceless", "praiseworthy" and "beautiful". Antonia is a Polish, Portuguese, Spanish, Italian, and Maltese name used in many parts of the world. [1]
Many of their other songs contain some lines in Latin, have a Latin name and/or are supported by a choir singing in Latin. Rhapsody of Fire – Ira Tenax; Rotting Christ: Sanctus Diavolos: Visions of a Blind Order, Sanctimonius, Sanctus Diavolos; Theogonia: Gaia Telus, Rege Diabolicus; Κατά τον δαίμονα εαυτού: Grandis ...
Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose Aid; Crown Him With Many Crowns; Cry Out With Joy; Come Lord, Maranatha
Ederlezi" is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival [1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George.
While a number of Marian hymns are written in Latin and English, [30] there are nine notable Marian hymns with German lyrics included in the 2013 Gotteslob, listed below: " Den Herren will ich loben" (I want to praise the Lord), 1954 text by Maria Luise Thurmair based on the Magnificat, to a 1613 melody by Melchior Teschner
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