Search results
Results from the WOW.Com Content Network
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Sonido 13 is a theory of microtonal music created by the Mexican composer Julián Carrillo around 1900 [1] and described by Nicolas Slonimsky as "the field of sounds smaller than the twelve semitones of the tempered scale." [2] Carrillo developed this theory in 1895 [3] while he was experimenting with his violin.
Semantic Daniélou-53. The semantic system is based on a microtonal musical scale tuned in just intonation, developed by Alain Daniélou.. For Daniélou, the subtleties of the intervals of music of oral traditions cannot be expressed using the equal temperament tuning system of 12 notes per octave, which has been the prevalent system in Western culture for around two centuries.
31 EDO on the regular diatonic tuning continuum at p5 = 696.77 cents [1]. In music, 31 equal temperament, 31 ET, which can also be abbreviated 31 TET (31 tone ET) or 31 EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equally-proportioned steps (equal frequency ratios).
These etudes bring out connections and resemblances to twelve-tone music as well as various xenharmonic characteristics, reflected in Twelve Microtonal Etudes for Electronic Music Media. About his 16-tone etude, Blackwood wrote: [4] This tuning is best thought of as a combination of four intertwined diminished seventh chords.
Microtonal music or microtonality is the music with microtones (also called 'microintervals') used as ornamental inflexions of basically diatonic/chromatic scales or substantial elements of specifically microtonal scales. Some scholars also call 'microtonal' music with intervals which deviate from a semitone of the Western 12-tone equal ...
Mayer Joel Mandelbaum (born October 12, 1932) is an American music composer and teacher, best known for his use of microtonal tuning (notably just intonation and 19 equal temperament and the 31 equal temperament). He wrote the first Ph.D. dissertation on microtonality in 1961.
In microtonal music, magic temperament is a regular temperament whose period is an octave and whose generator is an approximation to the 5/4 just major third. [1] [2] [3] In 12-tone equal temperament, three major thirds add up to an octave, since it tempers the interval 128/125 to a unison. In magic temperament, this comma is not tempered away ...