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Title Director Cast Genre Notes All the Sins of the Earth: Fritz Umgelter: Barbara Rütting, Ivan Desny, Paul Dahlke: Drama: Aren't We Wonderful? Kurt Hoffmann: Hansjörg Felmy, Robert Graf, Johanna von Koczian
9 1958. 10 1959. Toggle the table of contents. ... List of German film lists from the 1950s. From 1949 Germany was divided into East and West Germany. Both had ...
Arnold Fanck (6 March 1889 – 28 September 1974) was a German film director and pioneer of the mountain film genre. [1] [2] He is best known for the extraordinary alpine footage he captured in such films as The Holy Mountain (1926), The White Hell of Pitz Palu (1929), Storm over Mont Blanc (1930), The White Ecstasy (1931), and S.O.S. Eisberg (1933).
Films set in the Alps, an extensive mountain range system in Europe. It is currently politically divided between eight Alpine countries : Austria , France , Germany , Italy , Liechtenstein , Monaco , Slovenia , and Switzerland .
A still from the 1929 German film The White Hell of Pitz Palu. A mountain film is a film genre that focuses on mountaineering and especially the battle of human against nature. In addition to mere adventure, the protagonists who return from the mountain come back changed, usually gaining wisdom and enlightenment.
The production of the film is halted and it is finished in late 1959. Power, who was playing the role of King Solomon, is replaced in the film by Yul Brynner. December 16 – MCA Inc. acquires the Universal Pictures studio lot for $11 million. It will later acquire the studio.
When the Alpine Roses Bloom (German: Wenn die Alpenrosen blüh'n) is a 1955 West German drama film directed by Richard Häussler and Hans Deppe and starring Hertha Feiler, Claus Holm, and Marianne Hold. Along with As Long as the Roses Bloom, it was one of two follow-ups directed by Deppe to his hit 1953 heimatfilm When the White Lilacs Bloom ...
No Sin on the Alpine Pastures (German: Auf der Alm, da gibt's ka Sünd) is a 1950 Austrian comedy film directed by Franz Antel and starring Maria Andergast, Inge Egger and Rudolf Carl. [ 1 ] The film's sets were designed by the art director Gustav Abel .