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Greatest Hits is the second greatest hits album by American singer and songwriter Mariah Carey, released on December 4, 2001, by Columbia Records.Released after her departure from Columbia, the album includes most of Carey's singles from 1990 to 2000, spanning her tenure at the label.
As mariachi groups are expected to play requests, they may need to know hundreds of songs. [21] Most songs are about machismo, love, betrayal, death, politics, revolutionary heroes and even animals and country life from the genre's origins as rural son music. One particularly famous song is "La Cucaracha" ("The Cockroach"). [5] [21]
It became Miguel's 16th song to reach number-one on the Hot Latin Songs chart. [22] The following year, Miguel recorded his first mariachi album México en la Piel. [46] Afterwards, he released his greatest hits album in 2005 which contained two original compositions: "Misterios de Amor" and "Si Te Perdiera". [47]
Follow-up albums include Mas Canciones, Frenesí, and the Rhino Records compilation Mi Jardin Azul: Las Canciones Favoritas, which collects songs from the previous three Spanish-language albums. Las Canciones de mi Padre also is the only recording production in the world that used the three best Mariachi bands in the world: Mariachi Vargas ...
The songs "Piel de Niña", "A La Vera del Camino", and "Cascos Ligeros" were some of the main hits on the album. [8] At the Lo Nuestro Awards of 1993 Fernández was nominated for Male Artist, New Artist and Regional Mexican Album of the Year for his debut album, winning none.
Juan Gabriel established himself as Mexico's leading commercial singer-songwriter, penning in many diverse styles such as rancheras with mariachi, ballads, pop, rock, disco, with an incredible string of hits for himself and for leading Latin singers including among many others Lucha Villa, Daniela Romo and Ana Gabriel and international stars ...
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Mariachi music in 1970s, while still popular in the Regional Mexican music field, was named "the last great decade for mariachi music" according to the Los Angeles Times critic Augustin Gurza. [4] The Mexican farmworkers movement since the 1960s led to the popularity corridos which dealt with their impoverished lives. [ 5 ]