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Inlay on guitars or similar fretted instruments are decorative materials set into the wooden surface of the instrument using standard inlay techniques. Although inlay can be done on any part of a guitar, it is most commonly found on the fretboard, headstock—typically the manufacturer's logo—and around the sound hole of acoustic
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Unlike any of the semi-hollowbodies in the Gibson line, the Sheraton's headstock featured Epiphone's traditional fancy vine (or "tree of life") inlay on its headstock, while its fretboard featured a block and triangle (or "V") inlay of mother-of-pearl and abalone, as well as binding on the fretboard's surface, inset slightly from the outer edges.
The headstock had large pearl inlays. The guitar came equipped with two humbucking pickups. Four-hundred and eighty Jimmys were produced in the initial run, they were more or less prototypes because Hagström intended to outsource the production of the Jimmy to the Swedish Bjärton factory, but before this could happen Bjärton closed its doors ...
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The first 20 N4s that were made in 1990 started with serial number 901-920. Nuno bought 901 from a fan in late 2021 which was covered and documented by Guitar World. The serial number was stamped on the back of the headstock and inside the tremolo cavity. N4s all have a serial number on the back of the headstock using the following form:
In 1968, Gibson re-introduced the Les Paul Custom as a two-pickup model. The headstock angle was changed from 17 to 14 degrees, a wider headstock and a maple top (in lieu of the original 1953–1961 solid-mahogany construction). In 1969, Norlin acquired Gibson, and the Les Paul Custom saw many changes in the "Norlin Era".