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Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. [2] It was produced in black and white by Walt Disney Animation Studios and was released by Pat Powers, under the name of Celebrity Productions. [3]
Goopy, reprising his role as the happy-go-lucky pianist from his first cartoon, meets the series' stars when they visit the "black-and-white" part of town. [5] His appearance in this cartoon is updated somewhat and seems to be based on early promotional drawings where his fur is black rather than his actual cartoon appearances.
• Second and last of two Milt Gross Count Screwloose cartoons. • Final black-and-white cartoon produced by MGM. April 15, 1939 — The Little Goldfish: Rudolf Ising: 29 • First one-shot cartoon. • First MGM cartoon to be reissued. May 13, 1939: Good Little Monkeys: Art Gallery: Hugh Harman: 26 • Third and last Good Little Monkeys ...
The Walt Disney Film Archive includes black-and-white preliminary sketches, full-color concept paintings, and production cels from such classic Disney films
The title is a play on words, referring to "pigs feet." This was the first Schlesinger cartoon directed by Tashlin after his return to the studio following a five-year absence for stints at the Disney and Screen Gems studios. [3] It is also the only appearance of Bugs Bunny, and final appearance of Porky Pig, in a black-and-white cartoon.
This 1935 celluloid comes from one of Mickey’s last black-and-white cartoons, adding to its value, and proving that the right buyer doesn’t mind dropping obscene amounts of money on special cels.
They play the overture from Franz von Suppé's Poet and Peasant at Mickey's direction. Some of the animals find themselves in conflict—a dog's tuba playing disturbs a pig's toupee, and a goat spanks another pig with his violin bow. Mickey creates music by pulling the tails of baby pigs, and a horse plays drums on the rear end of a cow.
This cartoon is a color remake of a black and white short film titled Puss n' Booty (1943) which was directed by Frank Tashlin and written by Warren Foster (who would later be the main writer for most Tweety/Sylvester cartoons in the 1950s, such as Tweety's S.O.S., Snow Business and the Oscar-winning Birds Anonymous). In this previous version ...