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Boxing, Muay Thai, Panantukan, Jeet Kune Do, Japanese martial arts particularly Judo, Jujutsu, and two styles of karate: Shotokan Karate, and Kyokushin Karate Yaw-Yan , also called Sayaw ng Kamatayan ( English : Dance of Death ), [ 1 ] is a Filipino martial art developed by Napoleon A. Fernandez and based on older Filipino martial arts. [ 2 ]
There are many distinct styles and schools of martial arts.Sometimes, schools or styles are introduced by individual teachers or masters, or as a brand name by a specific gym.
Muay Boran (Thai: มวยโบราณ, RTGS: muai boran, pronounced [mūa̯j bōːrāːn], lit. "ancient boxing") or originally Toi Muay (Thai: ต่อยมวย, lit. 'punching boxing') is an umbrella term for the ancient unarmed martial arts of Thailand prior to the introduction of modern equipment and rules in the 1930s.
Muay Thai Foot-thrust (Thip) Muay Boran (Thai: มวยโบราณ, RTGS: muai boran, pronounced [mūa̯j bōːrāːn]; lit. ' ancient boxing ') is an umbrella term for the unarmed martial arts of Thailand prior to the introduction of modern equipment and rules in the 1930s. It is the predecessor of modern Muay Thai or Thai boxing.
Filipino martial artists are noted for their ability to fight with weapons or empty hands interchangeably and their ability to turn ordinary household items into lethal weapons. Weapons-training takes precedence because they give an edge in real fights, gears students to psychologically face armed opponents, and any object that can be picked up ...
Ramon Arevalo Obusan (June 16, 1938 – December 21, 2006) was a Filipino dancer, choreographer, stage designer and artistic director. Obusan is credited for his work in promoting Philippine traditional dance and cultural work. He is also an acclaimed archivist, researcher and documentary filmmaker who focused on Philippine culture.
The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.
Alejandro Roces, author and National Artist of the Philippines for literature, argues that the company showed the distinct diversity and multiplicity of cultures in this country. Nicanor Tiongson credits the company for bringing various communities within the Philippines together. “The dances shown by Bayanihan were not only the Christianized ...