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Ain't but the One Way is the tenth and final studio album by Sly and the Family Stone, released by Warner Bros. Records in September 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album The Electric Spanking of War Babies.
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]
George Clinton - band leader, keyboards, vocals, songwriter, producer; Lushawn "Young Poppi" Clinton - rapper; Scottie Clinton - vocals; Tra'zae Clinton - rapper;
Parliament Funkadelic: One Nation Under A Groove is a documentary broadcast in the US on PBS in October 2005 as part of the Independent Lens series. The documentary chronicles the development of the Parliament-Funkadelic musical collective, led by the producer, writer and arranger George Clinton. [1]
Bounce 2 This 6:33 Kendra Foster featuring P-Funk Allstars 2 Su, Su, Su 5:56 P-Funk Allstars featuring Trey Lewd 3 Paradigm 6:50 George Clinton featuring Prince: 4 U Can Depend on Me 7:06 Kendra Foster: 5 U Ain't Runnin' Shit 5:27 George Clinton 6 Inhale Slow 4:00 P-Funk Allstars featuring Paul Hill 7 Because / Last Time Zone 4:14 Funkadelic 8
Eddie Murphy is about to tear the roof off the sucker. The actor is set to play Parliament-Funkadelic leader George Clinton in an untitled biopic from director Bill Condon for Amazon MGM Studios.
The Mothership Connection — Live from Houston is an album by George Clinton and Parliament-Funkadelic.It was released on the Capitol Records label in 1986. [1]The Mothership Connection — Live from Houston is divided evenly between studio and live performances.
The album was produced by Collins and George Clinton. Collins co-wrote all of the album's seven songs (two with Clinton, one with vocalist Leslyn Bailey and four with Clinton and other band members) and did the arrangements (horn arrangements in collaboration with Fred Wesley). [4]