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Iago persuades Othello that Desdemona and Cassio have "the act of shame a thousand times committed"; [163] Emilia says Iago "hath a hundred times" [164] asked her to steal the handkerchief; Bianca complains Cassio has been away from her "a week"; [165] news of the Turkish defeat needs time to reach Venice then Lodovico needs time to reach ...
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Her father reluctantly accepts the union but warns Othello that she will someday deceive him. When Othello is sent to Cyprus in the line of duty, Desdemona accompanies him with his ensign's wife, Emilia, attending her. In act 2, Othello's lieutenant, Cassio, is disgraced in a brawl and falls from Othello's favor. Iago suggests to Cassio that he ...
The second act takes place on the island of Cyprus, within the world of Othello. During the scene where Othello resolves to kill his wife, Constance intervenes and reveals that Iago is tricking Othello. Othello binds Iago and expresses his gratitude to Constance. Desdemona arrives and asks whether Constance may stay with them.
Othello, a Moor and military general living in Venice, elopes with Desdemona, the daughter of a senator. Later, in Cyprus, he is persuaded by his servant Iago that his wife is having an affair with Michael Cassio, his lieutenant. Iago's story, however, is a lie. Desdemona and Cassio try to convince Othello of their honesty but are rejected.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
[2] [3] Plays of this age were also decidedly secular, [1] in contrast to the religious morality plays which, by this time, were outlawed by Elizabeth I. One marked difference between English renaissance tragedies and the classics that inspired them was the use and popularity of violence and murder on stage.