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Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Space art, also known as astronomical art, is a genre of art that visually depicts the universe through various artistic styles. It may also refer to artworks sent into space. [1] The development of space art was closely linked to advancements in telescope and imaging technology, which enabled more precise observations of the night sky.
It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion , it is devoid of nails , blood , and a crown of thorns , because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ.
Nancy Baker Cahill (born 1970) is an American new media artist based in Los Angeles, California. [1] [2] [3] She has created immersive augmented reality (AR) and virtual reality (VR) experiences, video installations and blockchain projects, oftentimes rooted in drawing.
After recounting the legend [12] he remarks that "the preceding monks hoped to go to heaven without leaving the earth, to find 'the place where the sky and the earth touch,' and open the mysterious gateway which separates this world from the other. Such is the cosmographical notion of the universe; it is always the terrestrial valley crowned by ...
The piece depicts a scene of red-roofed buildings and a mostly blue partly cloudy sky, with the air filled by dozens of nearly identical men dressed in dark overcoats and bowler hats, generally facing the viewer. The men are positioned as if standing, and may be falling, rising, or stationary in mid-air; no movement or motion is implied.
The painting depicts a large rock floating above a sea and topped by a stone castle. Magritte's friend Harry Torczyner, a lawyer and author, commissioned the painting and chose its theme. The painting is displayed in the Israel Museum in Jerusalem along with Magritte's correspondence with Torczyner. [1]
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