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For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...
One common tone, two notes move by half step motion, and one note moves by whole step motion. Resolution in western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
It is a symmetrical scale with a slightly ambiguous tonal centre, due to the many half steps. Its step pattern is W, H, +, H, H, +, H, where W indicates a whole step , H indicates a half step , and + indicates an augmented second (three half steps, enharmonically equivalent to a minor third but functionally distinct).
It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C ♯ ; the interval between them is a semitone.
That means that, in A aeolian (or A minor), a scale would be played beginning in A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A.
For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands for half-step (e.g. from C to D ♭).
A Lydian cadence is similar to the Phrygian half cadence, involving iv 6 –V in the minor. The difference is that in the Lydian cadence, the whole iv 6 is raised by a half step. In other words, the Phrygian half cadence begins with the first chord built on scale degree, while the Lydian half cadence is built on the scale degree ♯. [citation ...
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