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A libretto (From the Italian word libretto, lit. ' booklet ' ) is the text used in, or intended for, an extended musical work such as an opera , operetta , masque , oratorio , cantata or musical .
Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance.
The question concerning the kind of structure that features tension and resolution in music is linked very close to the relationship between order and meaning in music. Considering tension and resolution as one possible kind of meaning in music a hierarchical structure would imply that a change of order of musical elements would have an ...
Today, a new trend is the Marconi multimedia patented interactive electronic libretto technology, installed in 2011 in the Royal Opera House Muscat, [4] Sultanate of Oman and in 2013 at the Musiktheater Linz, Wiener Staatsoper Austria and Stavros Niarchos Cultural center ( Athens). The event on stage become an interactive and multimedia ...
The same music could be associated with a wide range of emotional responses in the listener. Chabanon rejected the rhetorical approach to music, because he did not believe that there was a simple correspondence between musical characteristics and emotional affects. Much subsequent philosophy of music depended on Chabanon's views. [9]
The theme of the opera can be summarized as "Which is the greater art, poetry or music?" This was a topic of discussion at the time of the setting, as in a 1786 Salieri opera named for the issue, Prima la musica e poi le parole (First the Music and Then the Words). This question is dramatized in the story of a Countess torn between two suitors ...