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Dante's Satan remains a common image in popular portrayals. The answer to the question of how Satan wound up in the bottom of the pit in Dante's Inferno lies in Christian theological history. Some interpretations of the Book of Isaiah, combined with apocryphal texts, explain that Satan was cast from Heaven, and fell to earth. [5]
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
Plutus in Divina Commedia, in an engraving by Gustave Doré. " Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno.The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
A man dressed as the Devil at New York City's West Indian Day Parade.. The Devil, (Satan, Lucifer, Mephistopheles) appears frequently as a character in literature and various other media, beginning in the 6th century when the Council of Constantinople officially recognized Satan as part of their belief system. [1]
The richest, most circumstantial accounts of the Harrowing of Hell are found in medieval dramatic literature, such as the four great cycles of English Mystery plays which each devote a separate scene to depict it. [1] Christ was portrayed as conquering Satan, and then victoriously leading out Adam and Eve, the prophets, and the patriarchs.
The narrator echoes Inferno 2.32 in the poem (2.588–592). The Monk's Tale from The Canterbury Tales describes (in greater and more emphatic detail) the plight of Count Ugolino (Inferno, cantos 32 and 33), referring explicitly to Dante's original text in 7.2459–2462.