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Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference is a 1986 book by David J. Garrow about Martin Luther King Jr., the Southern Christian Leadership Conference, and the American Civil Rights Movement. The book won the 1987 Pulitzer Prize for Biography.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
David Jeffries Garrow (born May 11, 1953) is an American author and historian. [1] He wrote the book Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference (1986), which won the 1987 Pulitzer Prize for Biography.
Pages for logged out editors learn more. Contributions; Talk; Bearing the Cross: Martin Luther King Jr. and the Southern Christian Leadership Conference
The first chapter was published in the November–December 1940 issue. This first publication of the book can be viewed in the original magazines on Austin-Sparks.Net. [ 1 ] It was later published as a book by Witness and Testimony Publishers in August 1945 and advertised in the Sept/Oct edition of the "A Witness and A Testimony" magazine. [ 2 ]
His most notable works are the Madre della Consolazione and Christ Bearing the Cross. The painting is a mixture of Italian and Greek Byzantine prototypes; it follows the traditional maniera greca and was influenced by Venetian painting. Christ Bearing the Cross is in the Metropolitan Museum of Art in New York. [1] [2] [3]
Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
icon Christ Bearing the Cross by Nikolaos Tzafouris, Metropolitan Museum of Art, New York City. He painted a new style Madonna called Madre della Consolazione which was considered the Italian style and was the standard for the next hundred years. He also emulated Bellini's Pieta which was also heavily copied. [3] [4]