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For shooting with daylight film (calibrated to 5600 K) under warmer (low color temperature) light sources such as sunsets, candlelight or tungsten lighting, a bluish (e.g. #80A) filter may be used. More-subtle filters are needed to correct for the difference between, say 3200 K and 3400 K tungsten lamps or to correct for the slightly blue cast ...
The majority of HID lamps are produced in the color temperature range of 5000K to 6000K, which is similar to natural daylight. This is useful for applications requiring high levels of luminosity such as sport stadiums, warehouses, projection TVs, and gardening lights. [12]
The "warmer" light colors, such as a 2700 K incandescent bulb or a 1700 K candlelight, are more easily reproduced than more neutral white lights, such as 4800 K direct sunlight, and thus usually have higher CRI ratings in alternative light sources such as CFL and LED bulbs; "warmer" light (redder) naturally renders colors less accurately.
Natural Daylight ≈70 5000 D 54 D Daylight ≈75 6500 Deluxe halophosphate tubes Japanese color code Numeric color code Alphabetic color code Color Approximate CRI Color temperature (K) L-EDL 27 N/A Deluxe Extra Warm White ≈95 2700 N/A N/A SW GE Soft White (Lower-CRI WWX) ≈77 3000 N/A 32 WWX Deluxe Warm White ≈87 3000 N/A N/A WX
The CIE positions D65 as the standard daylight illuminant: [D65] is intended to represent average daylight and has a correlated colour temperature of approximately 6500 K. CIE standard illuminant D65 should be used in all colorimetric calculations requiring representative daylight, unless there are specific reasons for using a different illuminant.
Researchers use daylight as the benchmark to which to compare color rendering of electric lights. In 1948, daylight was described as the ideal source of illumination for good color rendering because "it (daylight) displays (1) a great variety of colors, (2) makes it easy to distinguish slight shades of color, and (3) the colors of objects around us obviously look natural".
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