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Ska (/ s k ɑː /; Jamaican Creole: skia, ) is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. [1] It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat.
In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods. Music historians typically divide the history of ska into three periods: the original Jamaican scene of the 1960s (First Wave), the English 2 Tone ska revival of the late 1970s (Second Wave) and the third wave ska movement, which started in the ...
Blue Beat Records is an English record label that released Jamaican rhythm and blues (R&B) and ska music in the 1960s and later decades. Its reputation led to the use of the word bluebeat as a generic term to describe all styles of early Jamaican pop music, including music by artists not associated with the record label.
The Original Cool Jamaican Ska (1964, LP Compil) Ska With Laurel (1965, Rio) Laurel Aitkin Says Fire (1967, Doctor Bird) Fire (1969) High Priest of Reggae (1969, Nu-Beat) The High Priest Of Reggae (1970) Laurel Aitken Meets Floyd Lloyd and the Potato Five (1987, Gaz's) (with The Potato 5) Early Days of Blue Beat, Ska and Reggae (1988, Bold Reprive)
Don Drummond (12 March 1934 [1] [2] [3] – 6 May 1969) was a Jamaican ska trombonist and composer. He was one of the original members of The Skatalites, and composed many of their tunes. In 1966, Drummond was convicted of murdering his 23-year-old lover, Anita "Marguerita" Mahfood.
In Jamaican popular culture, a sound system is a group of disc jockeys, engineers and MCs playing ska, rocksteady or reggae music. The sound system is an important part of Jamaican culture and history.
Two-tone or 2 tone, also known as ska-rock [citation needed] and ska revival, [1] is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. [1]
In his lecture, Malcolm would periodically interrupt the lecture and conduct the 27-piece Melbourne Ska Orchestra to demonstrate how Jamaican Mento music seamlessly blended with New Orleans "Shuffle" music with a back-beat to deliver into a throbbing, indigenously Jamaican by-product named Ska music, and how Ska music evolved into the ...