Search results
Results from the WOW.Com Content Network
The God That Failed is a 1949 collection of six essays by Louis Fischer, André Gide, Arthur Koestler, Ignazio Silone, Stephen Spender, and Richard Wright. [1] The common theme of the essays is the authors' disillusionment with and abandonment of communism .
Louis Fischer (29 February 1896 – 15 January 1970) was an American journalist. Among his works were a contribution to the ex-communist treatise The God that Failed (1949), The Life of Mahatma Gandhi (1950), basis for the Academy Award-winning film Gandhi (1982), as well as a Life of Lenin, which won the 1965 National Book Award in History and Biography.
Arthur Koestler is a book by Mark Levene about the life and work of Hungarian-British writer Arthur Koestler. The book was in published in 1984, one year after Koestler's suicide. The book is divided into seven main chapters, of which the first of is a biography and the other six critical essays on each of Koestler's six novels, his stories and ...
When Henrik's latest business failed, Koestler stopped attending lectures and was expelled for non-payment of fees. In March 1926, he wrote a letter to his parents telling them that he was going to Mandate Palestine for a year to work as an assistant engineer in a factory, in order to gain experience to help him obtain a job in Austria.
A central theme of the book is the changing relationship between faith and reason. Koestler explores how these seemingly contradictory threads existed harmoniously in many of the greatest intellectuals of the West. He illustrates that while the two are estranged today, in the past the most ground-breaking thinkers were often very religious.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
In the first two parts he has collected essays written from 1942 to 1945 and the third part was written especially for this book. In the title essay, Koestler proposes a continuum of philosophies for achieving "heaven on earth", from the Commissar at the materialist , scientific end of the spectrum, to the Yogi at the spiritual , metaphysical end.
Koestler's fundamental idea is that any creative act is a bisociation (not mere association) of two (or more) apparently incompatible frames of thought. [1] Employing a spatial metaphor, Koestler calls such frames of thought matrices : "any ability, habit, or skill, any pattern of ordered behaviour governed by a 'code' of fixed rules."