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Many New York City Subway stations are decorated with colorful ceramic plaques and tile mosaics. Of these, many take the form of signs, identifying the station's location. Much of this ceramic work was in place when the subway system originally opened on October 27, 1904. Newer work continues to be installed each year, much of it cheerful and ...
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
The walls of the mezzanine and connecting passageways are clad with white ceramic tiles, while the tops of the walls contain multicolored friezes similar to at platform level. The mezzanine and passageway ceilings are made of concrete. The fare control area contains two retail spaces and is clad with ceramic and glazed tile. [3]: 8
[22]: 4 The walls of the platform extensions have white ceramic tiles with mosaic friezes as well as plaques with the words "168th Street". The walls are divided every 15 feet (4.6 m) by multicolored tile pilasters that are 16 inches (410 mm) wide. There are two tile panels with the number "168" in each panel.
Many stations are decorated with intricate ceramic tile work, some of it dating back to 1904 when the subway first opened. The subway tile artwork tradition continues in a Percent for Art program. The MTA Arts & Design program oversees art in the subway system. [41]
The walls adjacent to the tracks have white tiles arranged in sets of three 15-foot (4.6 m) columns of 3 tiles each. There are two-tile-high gray squares containing white "34"s in the middle of each set of columns. They are pre-fabricated porcelain panels, in three-by-five slabs, to allow easy replacement.