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The ends of his large necktie are loosely looped and secured with a stickpin, and then tucked into his waistcoat. 1855–65. John Tyler wears a cravat tied in a floppy bow. His coat has wide lapels and contrasting waistcoat have wide lapels, 1860–62. Wilhelm Taubert wears a dark necktie tied in a bow and slightly winged collar. German, 1862.
Canadian legislator John Charles Rykert wears a narrow ribbon necktie and a collarless waistcoat. His coat has wide lapels. 1873. Innovations in men's fashion of the 1870s included the acceptance of patterned or figured fabrics for shirts and the general replacement of neckties tied in bow knots with the four-in-hand and later the ascot tie.
A modern paletot is a classic business overcoat, usually double-breasted with a 6×2 button arrangement, the top buttons placed wider apart and not fastened, with peaked lapels, a flat back and no belt. A paletot is often made of flannel or tweed in charcoal or navy blue. [2] [3]
Generally, traditional waistcoats are made from linen, silk, [1] [26] or wool. [27] Spanish man-about-town Victor Peñasco in morning suit, with waistcoat with shawl collar, 1912. Waistcoats may be either single-breasted, with or without lapels, or double-breasted with lapels. [1]
George Etiene Cartier wears a dark frock coat, a decorative double-breasted waistcoat, and a narrow bow tie. Montreal, after 1882. Lawmen of Dodge City wear their coats with only the high top button fastened. Wyatt Earp (front row, second from left) wears a three-piece "ditto" suit with contrasting binding around the coat collar and lapel, 1883.
These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies ...
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