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Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
Death: Death is shown at the doorstep, personified as a grim reaper, along with an angel and a demon while the priest says the sinner's last rites, Heaven: The saved are entering Heaven, with Jesus and the saints, at the gate of Heaven an Angel prevents a demon from ensnaring a woman. Saint Peter is shown as the gatekeeper.
Dante and Virgil in Hell is an 1850 oil-on-canvas painting by the French academic painter William-Adolphe Bouguereau. It is in the Musée d'Orsay in Paris. [1] The painting depicts a scene from Dante's Divine Comedy, which narrates a journey through Hell by Dante and his guide Virgil. In the scene the author and his guide are looking on as two ...
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
Proserpine (also Proserpina or Persephone) is an oil painting on canvas by English artist and poet Dante Gabriel Rossetti, painted in 1874 and now in Tate Britain.Rossetti began work on the painting in 1871 and painted at least eight separate versions, the last only completed in 1882, the year of his death.
Orpheus and Eurydice, a painting by Titian (c. 1508) Landscape with Orpheus and Eurydice, a painting by Poussin (1650–1653) Orpheus and Euridice, a painting by Federico Cervelli; Orpheus Mourning the Death of Eurydice, a painting by Ary Scheffer (1814) Orpheus Leading Eurydice from the Underworld, a painting by Jean-Baptiste-Camille Corot (1861)
The famous and distinctive style of Greek vase-painting with figures depicted with strong outlines, with thin lines within the outlines, reached its peak from about 600 to 350 BC, and divides into the two main styles, almost reversals of each other, of black-figure and red-figure painting, the other colour forming the background in each case ...