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The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
This figure represents the cumulative human forces, cast upon the eternal emptiness of Hell. [2] In The Gates of Hell, the sculpture appears in three different places: at the top of the left door, at the top of the right pilaster— the one holding Crouching Woman as part of I am beautiful [3] — and as the central piece of Avarice at the bottom of the Gates.
Éve au rocher in bronze, Jardin des Tuileries, Paris. In 1880 Rodin was commissioned to produce The Gates of Hell, for which he exhibited Adam at the 1881 Paris Salon.In a sketch for Gates Rodin showed a central silhouette possibly intended as Eve (both the sketch and Gates are now in the Musée Rodin), but in October 1881 he decided to produce Eve as a pair for Adam, with the two sculptures ...
The Gates of Hell (unfinished), Kunsthaus Zürich. A commission to create a portal for Paris' planned Museum of Decorative Arts was awarded to Rodin in 1880. [17] Although the museum was never built, Rodin worked throughout his life on The Gates of Hell, a monumental sculptural group depicting scenes from Dante's Inferno in high relief. Often ...
Ugolino and his sons is a plaster sculpture by French artist Auguste Rodin, part of the sculptural group known as The Gates of Hell.As an independent piece, it was exhibited by its author in Brussels (1887), Edinburgh (1893), Genoa (1896), Florence (1897), Netherlands (1899) and in his own retrospective in 1900.
The Three Shades (Les Trois Ombres) is a sculptural group produced in plaster by Auguste Rodin in 1886 for his The Gates of Hell. [1] [2] He made several individual studies for the Shades before finally deciding to put them together as three identical figures gathered around a central point. The heads hang low so that the neck and shoulders ...
Auguste Rodin was commissioned to make a pair of bronze doors to symbolize the gates of hell. He received the commission on August 20, 1880, for a new art museum in Paris, to exhibit at the 1889 Exposition Universelle, which ultimately did not open; however in 1900, some of them were part of his first solo exhibition in Paris.
The Harrowing of Hell, Petites Heures, 14th-century illuminated manuscript commissioned by John, Duke of Berry Christ leading Adam by the hand, depicted in the Vaux Passional, c. 1504 Before his resurrection from the dead, Jesus Christ grants salvation to souls by the Harrowing of Hell.