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Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Jewelry people are semi-obsessed with it. The scene in episode two of Feud: ... In episode three, which covers the Black and White Ball, she gets to wear a real Alexander Calder necklace. The ...
Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals. While originally believing the medium of wire sculpture to be merely clever and amusing, as his work developed, he began to state that wire sculpture had an important place in the history of art and remarked on the ...
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids
A wall hanging craft is a decoration, an amulet, a religious or a symbolic object that is hung from the ceiling or another structure. The sculptor Alexander Calder invented the mobiles, popular in the nursery, to give infants something to entertain them and give them external visual stimulation. [1]
Her jewelry style is influenced by Bauhaus and modernism. It is very simple and pure, [2] both geometric and minimalist. [14] Given her early aspiration to become a sculptor, [7] it may not be surprising that she thinks of her jewelry as "sculpture in motion". Wearing her jewelry has been compared to having a miniature Calder mobile around your ...
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