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Gaslight Square (also known as Greenwich Corners) [1] was an entertainment district in St. Louis, Missouri active in the 1950s and 60s, covering an area of about three blocks at the intersection of Olive and Boyle, near the eastern part of the current Central West End and close to the current Grand Center Arts District.
The scythed chariot was a modified war chariot. The blades extended horizontally for about 1 m (3 ft 3 in) to each side of the wheels. The Greek general Xenophon (430−354 BC), an eyewitness at the battle of Cunaxa, tells of them: "These had thin scythes extending at an angle from the axles and also under the driver's seat, turned toward the ground".
The bronze statue of Boudica with her daughters in her war chariot (furnished with scythes after the Persian fashion) was commissioned by Prince Albert and executed by Thomas Thornycroft. It was completed in 1905 and stands next to Westminster Bridge and the Houses of Parliament, with the following lines from Cowper's poem, referring to the ...
Boadicea by Thomas Thornycroft, depicting Boudica with her daughters in their chariot as she addresses troops before the battle. Boudica is imagined by Tacitus, her daughters beside her, encouraging her troops with a stirring speech from her chariot. [11] After providing a speech to the Roman troops by Suetonius, Tacitus describes the battle:
Boadicea and Her Daughters is a bronze sculptural group in London representing Boudica, queen of the Celtic Iceni tribe, who led an uprising in Roman Britain.It is located to the north side of the western end of Westminster Bridge, near Portcullis House and Westminster Pier, facing Big Ben and the Palace of Westminster across the road.
Boudica or Boudicca (/ ˈ b uː d ɪ k ə, b oʊ ˈ d ɪ k ə /, from Brythonic *boudi 'victory, win' + *-kā 'having' suffix, i.e. 'Victorious Woman', known in Latin chronicles as Boadicea or Boudicea, and in Welsh as Buddug, pronounced [ˈbɨðɨɡ]) was a queen of the ancient British Iceni tribe, who led a failed uprising against the conquering forces of the Roman Empire in AD 60 or 61.
The Sheldon concert hall. The Sheldon, designed by the noted 1904 World’s Fair architect Louis C. Spiering, was built in 1912 as the home of the Ethical Society of St. Louis. Musicians and public speakers throughout the years have enjoyed the perfect acoustics of The Sheldon Concert Hall, earning The Sheldon its reputation as "The Carnegie ...
The vernacular of St. Louis is certainly blues, jazz, and ragtime. But it is also home to the second-oldest symphony orchestra in the U.S., and in the 1990s Uncle Tupelo blended punk, rock, and ...