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The heraldic mobile charge fountain takes the form of a heraldic roundel barry-wavy of six, argent and azure (white and blue). The charge represents a well or spring, and Berry (1810) speculates that the fountain "might have been borne by ancient knights to express the inexhaustible source of courage ever to be found within them, which flowed ...
Unlike mobile charges, the ordinary charges [8] reach to the edge of the field. Some heraldic writers [b] distinguish, albeit arbitrarily, between (honourable) ordinaries and sub-ordinaries. While some authors hold that only nine charges are "honourable" ordinaries, exactly which ones fit into this category is a subject of constant disagreement.
As an ordinary, the Esquarre is defined as a charge that borders a quarter (Fr. franc quartier, or a singular quarter as charge) [5] on its two interior edges abutting the field. [6] The Esquarre isolates the quarter from the rest of the field. [7] De Galway suggested that the Esquarre is employed when both quarter and field are the same ...
This charge, seen in continental heraldry (above, used in a Portuguese communal coat of arms), must be called a naturalistic fountain in English blazons. Fountain or syke is in the terminology of heraldry a roundel depicted as a roundel barry wavy argent and azure, that is, containing alternating horizontal wavy bands of silver (or white) and ...
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Inescutcheons may appear in personal and civic armory as simple mobile charges, for example the arms of the House of Mortimer, the Clan Hay or the noble French family of Abbeville. These mobile charges are of a particular tincture but do not necessarily bear further charges and may appear anywhere on the main escutcheon, their placement being ...
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Heraldry developed in the High Middle Ages based on earlier traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient art (specifically the style of Scythian art as it developed from c. the 7th century BC).