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Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
The very word Dada is notoriously difficult to define and its origins are disputed, particularly amongst the Dadaists themselves. The Dada movement has had continuous reverberations in New York art culture and in the art world generally ever since its inception, and it was a major influence on the New York School and Pop Art. Nevertheless, any ...
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
DaDa peaked at No. 93 in the U.K. but failed to dent the U.S. Billboard 200. "I Love America" was released as a single solely in the U.K. over a month after the album's release. DaDa was Cooper's final studio album for his long-time label Warner Bros., and after its release he took a three-year hiatus from the music industry.
Like Dada, Merz was characterized by spontaneity and frequently made use of found objects. One of the most significant Merz artifacts constructed by Schwitters is the Merzbau, a tower-sized sculpture assembled from refuse and ephemera that occupied the inside of his apartment and existed from 1927 to 1943, when it was destroyed by a British air raid during World War II.
“The true dadas are against DADA,” […] Tristan Tzara, the movement’s cofounder, put it somewhat differently in his Dada Manifesto. Essential Books: 7 Enlightening Histories of Dada
Cabaret Voltaire is the birthplace of the Dada art movement, founded in Zürich, Switzerland, in 1916. It was founded by Hugo Ball and Emmy Hennings as a cabaret intended for artistic and political purposes. Other founding members were Marcel Janco, Richard Huelsenbeck, Tristan Tzara, Sophie Taeuber-Arp and Jean Arp.
The soft version however, is a little harder to nail down. The definition of a soft anti-genre might include art intentionally dispensing with conventions of its medium or violently breaking with tradition by subversion, vandalism-art, irrationality, self-defeat or other strategies in a rebellious spirit.
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