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The stained glass window depicts a black man, arms outstretched, reminiscent of the crucifixion of Jesus; it was sculpted by John Petts, who also initiated a campaign in Wales to raise money to help rebuild the church. [40] Photographer Robert Mapplethorpe's 1975 self-portrait shows the artist, nude and smiling, posed as if crucified.
Whole window. Saint Thomas Becket window in Chartres Cathedral is a 1215–1225 stained-glass window in Chartres Cathedral, located behind a grille in the Confessors' Chapel, second chapel of the south ambulatory. 8.9 m high by 2.18 m wide, it was funded by the tanners' guild. [1]
It is located in the north choir aisle and is made up of thirteen medallions, four at the top, four at the bottom and five forming a cross in the centre, reading bottom to top. It shows scenes from Thomas' life and is one of a dozen such windows in north-west France - another is at Chartres. At top centre is Christ blessing. Lower scenes.
They completed the bulk of their work in England between the 1620s and the 1640s. They painted at a time when stained glass was losing popularity in favour of their method, the usage of vitreous enamels on glass as a blank canvas and then fired. Lead lining is used to hold together pieces of glass.
Images of the Good Samaritan windows at Bourges, Chartres, and Sens are provided by The Corpus of Medieval Narrative Art, an archive of high-resolution photographs of medieval narrative art, concentrating on French 13th-century stained glass. They are copyrighted by Dr Stuart Whiting and available for legitimate academic purpose.
The fourteen Stations of the Cross were painted between 1956 and 1962 by parishioner and local artist Constance LaBoiteaux Drake. Models for the male images ranged from the artist's sons, to lifeguards on Nantucket Island, students at Haverford College, and (for the Roman soldiers) Italian sailors aboard the SS Leonardo da Vinci. [15]
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