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The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
The ruffled long-sleeved white shirt remained the only constant throughout the period, although less of it was seen with the advent of the waistcoat. During the early to mid-1650s, a rather small falling collar was in fashion. This increased in size and encompassed much of the shoulders by 1660.
A woman in an equestrian riding habit with a stock tie around her neck. A stock tie, or stock, is a style of neck wear.Originally a form of neck-cloth that was often stiffened and usually close-fitting, formerly worn by men generally, but post-nineteenth century only in use in military uniforms. [1]
Elisabeth of Bavaria, Empress of Austria, in a riding habit, 1884. A riding habit is women's clothing for horseback riding. Since the mid-17th century, a formal habit for riding sidesaddle usually consisted of: A tailored jacket with a long skirt (sometimes called a petticoat) to match; A tailored shirt or chemisette
Here's what you do: Start by getting a spread-collar dress shirt, one with a shape that sweeps out from your chin and follows the approximate lines of your collar bones, in a fancier fabric like ...
Portrait of Georg Friedrich Händel wearing a mulberry-colored coat trimmed with bands of embroidery and fastened with buttons and loops over a patterned waistcoat (barely visible under the coat) and a white shirt with ruffles, 1749. Man's silk coat with wide cuffs, 1745–1750, in a lace-like floral pattern of white on brown, France.
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