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August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...
While he mostly focused on poetry for adults, Hughes wrote a book of poems called The Dream Keeper specifically for children. [1] Geisel at work on a drawing of the Grinch for How the Grinch Stole Christmas! in 1957. Children's poetry in the mid-20th century was dominated by Theodor Geisel, otherwise known as Doctor Seuss. Dr.
Harry Burleigh set the poem "Lovely, dark, and lonely one" from the 1932 collection The Dream Keeper and Other Poems [99] to music in 1935, [100] his last art song. Italian composer Mira Sulpizi set Hughes's text to music in her 1968 song "Lyrics". [101] Hughes's life has been portrayed in film and stage productions since the late 20th century.
In a letter to Power on December 31, 1931, Hughes thanked her "for the splendid little introduction" [8] she wrote for his book of poems, The Dream Keeper. In 1932, Ella McGregor of the American Library Association 's Committee on Library Work with Children, asked Power for the name of someone who would might be interested in writing an article ...
Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Century Cycle by August Wilson – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of black recording artists by white producers.
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A Dream Play (Swedish: Ett drömspel), sometimes staged in English as The Dream Play, is a fantasy play in 14 scenes written in 1901 by the Swedish playwright August Strindberg. It was published in Swedish in 1902 [ 1 ] and first performed in Stockholm on 17 April 1907.
These core themes are ones August Wilson tends to use in many of his plays. one [5] [11] [12] Identity: The most prominent theme in Joe Turner is the idea of identity. Each of the characters, whether or not they realize it, is looking for his or her identity as an American, African, man, woman, businessman, and/or artist.