Search results
Results from the WOW.Com Content Network
The hanamichi was first used in 1668 in the Kawarazaki-za, in the form of a simple wooden plank that reached from the centre of the stage to the middle of the theatre.It was not used in performances, but allowed actors to step into the audience after a performance to receive flowers, with the word 'hanamichi' literally meaning "flower path."
A raised walkway (花道, "flower path") in Kabuki theater that extends from the back of the theater through the audience to the main stage. This extension of the stage serves multiple dramatic purposes: as an entrance and exit path for actors, a space for dramatic reveals and important scenes, and a way to bring the action closer to the audience.
Sukeroku (助六由縁江戸桜) is a play in the Kabuki repertoire, and one of the celebrated Kabuki Jūhachiban ("Eighteen Great Plays"). The play is known in English as The Flower of Edo. The play is super strongly associated with the Ichikawa Danjūrō family of actors.
The kabuki stage features a projection called a hanamichi (花道, "flower path"), a walkway which extends into the audience and via which dramatic entrances and exits are made. Okuni also performed on a hanamichi stage with her entourage. The stage is used not only as a walkway or path to get to and from the main stage, but important scenes ...
The Kitano Odori, a kabuki dance performed annually by the geisha of Kamishichiken Each district has a distinctive crest ( kamon or mon ), which appears on geisha's kimono, as well as on lanterns. A summer tradition around the time of the Gion Festival among the hanamachi of Kyoto is to distribute personalized uchiwa ( 団扇 , flat fans) to ...
Miyagawa-chō (宮川町) is one of the hanamachi (花街, "flower towns") or geisha districts in Kyoto. [1] [2] 'Miya-gawa' means "Shrine River", referring to the nickname of the Kamo River just south of Shijō. During the Gion Festival the mikoshi (divine palanquin) of Yasaka Shrine used to be purified in the waters of this river.
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [a] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year.
Fuji Musume (藤娘, The Wisteria Maiden) is a kabuki dance with lyrics written by Katsui Genpachi, choreography by Fujima Taisuke and music by Kineya Rokusaburô IV, first performed in 1826. [ 1 ] Originally part of a set of five different dances performed as a sequence, Fuji Musume is the only one that has survived. [ 2 ]