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The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Normally, the sound of one Chinese character is one syllable. Mandarin Chinese totally has about 1,300 different syllables with tones (only over 400 syllables if the tones are not taken into account). And modern Chinese has more than 10,000 characters, with an average of over 7.5 characters per syllable. That means homophonic characters widely ...
He also notes a tendency for Chinese to produce trochees – feet consisting of a stressed syllable followed by one (or in this case sometimes more) unstressed syllables. On this view, if the effect of "final-lengthening" is factored out: In words (compounds) of two syllables, the first syllable has the main stress, and the second lacks stress.
The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
Historical Chinese phonology deals with reconstructing the sounds of Chinese from the past. As Chinese is written with logographic characters, not alphabetic or syllabary, the methods employed in Historical Chinese phonology differ considerably from those employed in, for example, Indo-European linguistics; reconstruction is more difficult because, unlike Indo-European languages, no phonetic ...
In a recent interview, the astronaut said that the sound was like "someone knocking the body of the spaceship just as knocking an iron bucket with a wooden hammer." See fascinating photos of ...
Many traditional instruments underwent changes in the early to mid 20th century which has a profound effect on the performance and sound of Chinese music, and a western equal temperament is now used to tune most traditional instruments, which to modern ears seem less harsh and more harmonious but which also robs the instruments of their ...
It has a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan , where it has long been used for festival and military purposes.
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