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Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. [23]
Yupei (Chinese: 玉佩; pinyin: Yùpèi) is a generic term for jade pendants. [1] Yupei were popular even before Confucius was born. [2]: 18 Jade culture is an important component of Chinese culture, [1] reflecting both the material and spiritual culture.
Oracle bone script for 玉 "jade".. The Chinese word yù 玉 "jade; gems of all kinds; (of women) beautiful; (courteous) your" has semantically broader meanings than English jade "any of various hard greenish gems used in jewelry and artistic carvings, including jadeite and nephrite; a green color of medium hue; made of jade; green like jade".
"These matching pendants were designed as serpentine dragons with backturned heads, coiled tails, and small fins that project above and below their undulating trunks. The rhythmic fluency of these creatures belies the unyielding quality of jade—a compact, fine-grained stone that cannot be carved and must be worn away with abrasive paste ...
The beads, also described as "jewels", were made of primitive stone and earthen materials in the early period, but by the end of the Kofun period were made almost exclusively of jade. Magatama originally served as decorative jewelry, but by the end of the Kofun period functioned as ceremonial and religious objects.
A bi is a flat jade disc with a circular hole in the centre. Neolithic bi are undecorated, while those of later periods of China, like the Zhou dynasty, bear increasingly ornate surface carving (particularly in a hexagonal pattern) whose motifs represented deities associated with the sky (four directions) as well as standing for qualities and powers the wearer wanted to invoke or embody.
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