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Hughes was born in London. In 1846 he entered the art school at Somerset House, his first master being Alfred Stevens, and later entered the Royal Academy schools. It was here, after reading a copy of The Germ, that he met John Everett Millais, Holman Hunt, and Dante Gabriel Rossetti, although he never became an official member of the Pre-Raphaelite group of painters. [1]
Arthur Hughes (artist) A. April Love (painting) L. The Long Engagement This page was last edited on 8 April 2013, at 01:12 (UTC). Text is available under the Creative ...
April Love is a painting by the Pre-Raphaelite painter Arthur Hughes which was created between 1855 and 1856. It was first exhibited at the Royal Academy of Arts in 1856. [1] At its first showing Hughes accompanied the painting with an extract from Tennyson's poem "The Miller's Daughter": Love is hurt with jar and fret, Love is made a vague regret,
The Long Engagement is a painting by the Pre-Raphaelite artist Arthur Hughes which was created between 1854 and 1859. The painting was originally titled Orlando. [1]The painting depicts a curate and his fiancée in a woodland setting.
During the 1860s he lived for a time with his uncle Arthur Hughes and his family, which included his son Arthur Foord Hughes, also an artist. [1]: 10 In 1874 Hughes became engaged to Mary MacDonald, the daughter of the writer George MacDonald. Unfortunately Mary died four years later. In 1883 Hughes married Emily Eliza Davies.
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These were the painters Val Prinsep, Arthur Hughes, J. H. Pollen, John Roddam Spencer Stanhope and the sculptor Alexander Munro. [2] A close up of Jane Burden, later Morris, in Rossetti's Sir Lancelot's Vision of the Holy Grail The murals compete with the light from the windows. The process of painting the murals was notoriously chaotic.
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