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Shakespeare's work is also lauded for its insight into emotion. His themes regarding the human condition make him more acclaimed than any of his contemporaries. Humanism and contact with popular thinking gave vitality to his language. Shakespeare's plays borrowed ideas from popular sources, folk traditions, street pamphlets, and sermons.
Shakespeare's plays continued to be staged after his death until the Interregnum (1642–1660), when most public stage performances were banned by the Puritan rulers. After the English Restoration, Shakespeare's plays were performed in playhouses, with elaborate scenery, and staged with music, dancing, thunder, lightning, wave machines, and ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
The playwright and critic George Bernard Shaw mocked the cult of Shakespeare worship as "bardolatry", claiming that the new naturalism of Ibsen's plays had made Shakespeare obsolete. [261] The modernist revolution in the arts during the early 20th century, far from discarding Shakespeare, eagerly enlisted his work in the service of the avant-garde.
The majority of plays written in this era were collaborations, and the solo artists who generally eschewed collaborative efforts, like Jonson and Shakespeare, were the exceptions to the rule. Dividing the work, of course, meant dividing the income; but the arrangement seems to have functioned well enough to have made it worthwhile.
One question has persisted: Did boys play all female roles in English Renaissance theatre, or were some roles, the most demanding ones, played by adult males? Some literary critics and some ordinary readers have found it incredible that the most formidable and complex female roles created by Shakespeare and Webster could have been played by ...
The modern reconstructed Globe Theatre. Burbage was performing on the stage of the original structure in the late 16th-early 17th centuries. Richard Burbage was probably acting with the Admiral's Men in 1590, then joining Lord Strange's Men in 1592, and with the Earl of Pembroke's Men in 1593, but most famously he was the star of William Shakespeare's theatre company, the Lord Chamberlain's ...
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2023) (Learn how and when to remove this message) The Chandos portrait, commonly assumed to depict William Shakespeare but authenticity unknown, "the man who of all Modern, and perhaps Ancient Poets, had ...