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He highlighted how the bridge music features twice, with different lyrics, and a "sudden, striking beginning on an out of key chord". [23] During a 1991 interview published in Paul Zollo's book Songwriters on Songwriting (1997), Dylan gives an idea of how he sees the song in his explanation of a line about a "yellow railroad": [16]
The song has been covered by various artists, including: Michael Johnson, on his 1973 debut album There Is a Breeze; Iain Matthews, on his 1979 LP Stealin' Home; Barbra Streisand, on her Live in Concert 2006 album; John Pizzarelli, on his 2008 album With a Song in My Heart; by Billy Porter on his 2017 album The Soul of Richard Rodgers; and James Taylor, on his 2020 album American Standard.
[2]: 726 Some critics have compared the music to Dylan's melancholy 1989 love song "Most of the Time". [9] [10] The song's opening words, "McKinley hollered, McKinley squalled", refer to the opening of Charlie Poole's 1926 song "White House Blues", which describes the shooting and subsequent death from gangrene of President William McKinley.
Bob Dylan was announced earlier this year as having written separate appreciations of more than 60 different songs for his forthcoming book, “The Philosophy of Modern Song.” Now, the names of ...
The Bruces' Philosophers Song is sung by The Bruces, stereotypical "ocker" Australians of the period.The Bruces are kitted out in khakis, slouch hats and a cork hat, and are faculty members of the Philosophy Department at the fictional University of Woolamaloo (Woolloomooloo is an inner suburb of Sydney, although there is no university there).
Pelenson uploaded the excerpt of the song to his YouTube channel and many music-related Reddit communities, and eventually founded r/TheMysteriousSong. [9] Searchers made contact with individuals potentially pertinent to the search, such as NDR disc jockey Paul Baskerville , German performance rights organization GEMA , and YouTube channel ...
Lodge's songs "Isn't Life Strange" and "I'm Just a Singer (In a Rock and Roll Band)" (the latter written in response to some of the band's hippie fans, who mistook the Moodies as spiritual leaders due to the philosophical themes of many of their lyrics) [45] were lifted as singles from Seventh Sojourn, both reaching the Top 40 in the UK and US.
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