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In Eastern Christianity, the most widely used Christogram is a four-letter abbreviation, ΙϹ ΧϹ—a traditional abbreviation of the Greek words for 'Jesus Christ' (i.e., the first and last letters of each of the words ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ, with the lunate sigma 'Ϲ' common in medieval Greek), [23] and written with titlo (diacritic ...
Christ's fingers are depicted in a pose that represents the letters IC, X and C, thereby making the Christogram ICXC (for "Jesus Christ"). The IC is composed of the Greek characters iota (Ι) and lunate sigma (C; instead of Σ, ς)—the first and last letters of 'Jesus' in Greek (Ἰησοῦς); in XC the letters are chi (Χ) and again the ...
The Letter of Lentulus (/ ˈ l ɛ n t j ə l ə s /) is an epistle of mysterious origin that was first widely published in Italy in the fifteenth century. It purports to be written by a Roman official, contemporary of Jesus, and gives a physical and personal description of Jesus. The letter may have influenced how Jesus was later physically ...
The name is derived from the first three letters of Jesus's name in Greek ΙΗΣΟΥΣ pronounced Iésous. The Latinized version of the letters IHS (Iesus Hominum Salvator) were extremely popular during Byzantine times. The Latin version means Jesus Savior of Humankind. Another version was In Hoc Signo (In this sign).
The Chi Rho (☧, English pronunciation / ˈ k aɪ ˈ r oʊ /; also known as chrismon [1]) is one of the earliest forms of the Christogram, formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek ΧΡΙΣΤΟΣ (rom: Christos) in such a way that the vertical stroke of the rho intersects the center of the chi.
IX monogram. The IX monogram or XI monogram is a type of early Christian monogram looking like the spokes of a wheel, sometimes within a circle. [1]The IX monogram is formed by the combination of the letter "I" or Iota for Iesous (Ιησους, Jesus in Greek) and "X" or Chi for Christos (Χριστος, Christ in Greek).
Bearded Jesus between Peter and Paul, Catacombs of Marcellinus and Peter, Rome. Second half of the 4th century. Such works "first present us with the fully formed image of Christ in Majesty that will so dominate Byzantine art." [28] For detail of Christ, see this file.
Such an image is often placed in the apse of the sanctuary of an Orthodox church above the Holy Table (altar). [2] As with most Orthodox icons of Mary, the letters ΜΡ ΘΥ (short for ΜΗΤΗΡ ΘΕΟΥ, "Mother of God") are usually placed on the upper left and right of the head of the Virgin Mary.
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