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The second side contained 10 sound effects meant for others to create their own stories. Despite the title, not all the cuts were related to haunted houses or witches or ghostly spirits. Featured were such situations as an ocean liner hitting rocks, an idiotic lumberjack , a man crossing an unsafe bridge, someone lighting a stick of dynamite ...
Sound Effects No. 13 – Death & Horror is an album produced by Mike Harding of the BBC Radiophonic Workshop and released in 1977 by BBC Records & Tapes.It is the thirteenth instalment in the label's Sound Effects series and contains over 80 sound effects related to horror and death, so that producers may use them in amateur film and stage productions.
The most widely used modern variation is the "Shock Horror (A)" effect recorded in 1983 by composer Dick Walter as part of a series of four vinyl albums of sound snippets known as The Editor's Companion. [2] This version is inverted from the Young Frankenstein pattern, using the notes E♭ - C - F♯, with the F♯ being especially discordant. [6]
Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
Sound Effects No. 21 – More Death & Horror. Released 1976; Label: BBC Records (REC 340) Formats: LP; Produced by Mike Harding 1981 BBC Sound Effects No. 26 - Sci-Fi Sound Effects. Released 1981; Label: BBC Records (REC 420) Formats: LP, CD; Reissued on CD in 1991 as Essential Science Fiction Sound Effects Vol. 1, reissued on CD under the ...
"Thriller" is a disco song featuring a repeating synthesizer bassline and lyrics and sound effects evoking horror films. It includes a spoken-word sequence performed by the horror actor Vincent Price which begins at the 6:31 mark on the music video and 4:25 in the album version.
The device is described as a combination white noise generator and AM radio receiver modified to sweep back and forth through the AM band selecting split-second snippets of sound. Critics of the device say its effect is subjective and incapable of being replicated, and since it relies on radio noise, any meaningful response a user gets is ...
Blues music is defined in part by the blues scale, which can be used to create dissonant and "spooky" sounds. Blues music influenced Halloween songs such as "I Put a Spell on You". [3] In the 1950s and 1960s, various doo-wop groups, groups influenced by blues music, began to release novelty Halloween-themed songs.
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