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Harold "Harry" DeArmond (January 28, 1906 – October 12, 1999) was an industrial designer of electrical components. His younger brother John was a budding guitarist at age 10 but wanted to make his guitar louder and better-sounding, and in 1935 created a magnetic pickup using components from the ignition coil of a Ford Model A.
Model numbers were similar to the amplifiers of the time, with the K-200 being a semi-hollow body instrument with a cats-eye sound hole giving it a somewhat Rickenbacker-style look. It was equipped with two single coil DeArmond pickups, a bound neck, a steel nut, and a rosewood fretboard with multiple dot inlays beginning with four for each ...
DeArmond pickups (found on various '50s and '60s guitars by various manufacturers including Gretsch, Guild, Epiphone, Martin, Kustom, Harmony, Regal, Premier, Silvertone, and others; the trade name is now owned by Fender; single coil models including the 200 aka Dynasonic, [9] 2K, and 2000, "mustache", various "gold foil" types, and many clip ...
The pickups on almost all electric guitars and basses that Harmony produced were manufactured by Rowe Industries Inc. (later known as H.N. Rowe & Company, Rowe DeArmond Inc., and DeArmond Inc.) of Toledo, Ohio. Many of the instrument amplifiers badged with the Harmony name were manufactured by "Sound Projects Company" of Cicero, Illinois. [3]
The sound holes of cellos and other instruments of the violin family are known as F-holes and are located on opposing sides of the bridge. A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes: Round in flat-top guitars and traditional bowl-back mandolins;
The first commercially available electric pickup however were Harry DeArmond's FHC pickups, released in the 1930s. [5] They were widely adopted because they did not require any modification of the guitar. [5] In 1954, Gibson released the first commercially successful flattop acoustic-electric guitars, the J–160E and CF-100E. [6]
In 2009, Music Man introduced the Big Al bass, based on the Albert Lee signature guitar, with an 18V-powered 4-band EQ, active/passive switching, series/parallel pickup wiring and three single-coil pickups with neodymium magnets. In 2010, the 'Big Al' bass came in a five-string version with the choice of H and SSS pickup configurations. [8]
The company's first self-manufactured items were guitar pickups, which were wound using an old sewing machine. [5] Manufacturing then shifted to producing entire steel guitars. By 1947, operations briefly moved to Kiesel's home town of Gothenburg, Nebraska and back to Southern California in 1949, where Kiesel named the company Carvin , a ...
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