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"The Wife of Bath's Tale" (Middle English: The Tale of the Wyf of Bathe) is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer, himself, for the character is one of his most developed ones, with her Prologue twice as long as her ...
It is seen as an important source for efforts to reconstruct Chaucer's original text and intentions, though John M. Manly and Edith Rickert in their Text of the Canterbury Tales (1940) noted that whoever edited the manuscript probably made substantial revisions, tried to regularise spelling, and put the individual Tales into a smoothly running ...
The loathly lady (Welsh: dynes gas, Motif D732 in Stith Thompson's motif index), is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. [1] The motif is that of a woman who appears unattractive (ugly, loathly ) but undergoes a transformation upon being approached by a man in spite of ...
The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth.It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost.
The differences between the two almost identical plots lead scholars to believe that the poem is a parody of the romantic medieval tradition. The physical characteristics of Dame Ragnelle are exaggerated in comparison to the earlier text. Other characters, such as Sir Gawain and King Arthur, are portrayed as very stylized stereotypes of themselves.
The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. [2]
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The traditional estates were specific to men (although the clergy also included nuns); women were considered a class in themselves, [1] the best-known example being Geoffrey Chaucer's Wife of Bath. Estate satire praised the glories and purity of each class in its ideal form, but was also used as a window to show how society had gotten out of hand.