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The Wife of Bath's Prologue is, by far, the longest in The Canterbury Tales and is twice as long as the actual story, showing the importance of the prologue to the significance of the overall tale. In the beginning, the wife expresses her views in which she believes the morals of women are not merely that they all solely desire "sovereignty ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
A full-length musical stage adaptation of The Canterbury Tales, composed of the Prologue, Epilogue, The Nun's Priest's Tale, and four other tales, was presented at the Phoenix Theatre, London on 21 March 1968, with music by Richard Hill & John Hawkins, lyrics by Nevill Coghill, and original concept, book, and direction by Martin Starkie.
The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth.It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost.
The use of the pronouns "us" and "we" when talking from a woman's perspective, along with the wife's success at the end of the tale, has led scholars to suggest that the tale was originally written for the Wife of Bath but as that character developed she was given a more fitting story and the Shipman took on this tale. [4]
The Ellesmere manuscript is a highly polished example of scribal workmanship, with a great deal of elaborate illumination and, notably, a series of illustrations of the various narrators of the Tales (including a famous one of Chaucer himself, mounted on a horse).
"The Wedding of Sir Gawain and Dame Ragnelle" was most likely written after Geoffrey Chaucer's "The Wife of Bath's Tale", one of The Canterbury Tales.The differences between the two almost identical plots lead scholars to believe that the poem is a parody of the romantic medieval tradition.
The Prologue of The Second Nun's Tale contains three sections: 1. four stanzas on the hazards of idleness, 2. the Invocation to Mary (nine stanzas), and 3. the "Interpretation of the name Cecilia which Brother Jacob of Genoa put in his legend".