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19th century silk pidan. A pidan is a type of silk cloth used in Cambodian and Khmer weddings, funerals, and Buddhist ceremonies as a canopy or tapestry. Pidan are often decorated with images of wats, nāgas, apsaras, scenes from the life of Buddha, Angkor Wat, animals (especially elephants), and plants. [1]
There are three important silk textiles in Cambodia: (1) the ikat silks (chong kiet in Khmer), or hol; (2) the twill-patterned silks; and (3) the weft ikat textiles. Patterns are made by tying natural or synthetic fibers on the weft threads and then dyeing them.
The Phamuong Chorabap is a luxurious fabric using up to 22 needles to create. Phamuong variation are rabak, chorcung, anlounh, kaneiv and bantok. It usually uses floral and geometric motifs. The most valued silk used to create the Phamuong is Cambodian yellow silk, known for its fine quality in the region.
A Cambodian woman weaving silk threads in the very traditional way. Artisans Angkor is known as one of the finest silk producers in Cambodia. [6] The company has 23 silk workshops in the Siem Reap province. One site only is open to the public: the Angkor Silk Farm [7] in Puok district (about 20-minute drive from the centre of Siem Reap ...
A 19th century silk pidan A Cambodian woman weaving silk near Siem Reap, 2011. Silk weaving in Cambodia has a long history. The practice dates to as early as the late 13th century. According to Zhou Daguan's record, "None of the locals produces silk. Nor do the women know how to stitch and darn with a needle and thread.
Long Beach-born Cambodian American painter Tidawhitney Lek has canvases on view in the Hammer's biennial and a solo show at the Long Beach Museum of Art.
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