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The 17th century saw the introduction of different types of internal plasterwork. Stucco marble was an artificial marble made using gypsum (sometimes with lime), pigments, water and glue. Stucco lustro was another a form of imitation marble (sometimes called stucco lucido) where a thin layer of lime or gypsum plaster was applied over a scored ...
Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine. Square repeating units of known patterns can be copied as templates, and historic pattern books may have been intended for use in this way. The 15th century Topkapı Scroll explicitly shows girih patterns together with the tilings used to create them.
At the end of 14th-century the King of Navarre Charles III "the Noble" of the House of Évreux, commissioned expansion works at the Old Palace in order to give the court a stationary and stable residence. While the first work consisted of repairs to the building and opening new spaces for courtiers, needs soon outgrew the castle, so the King ...
From the 11th century to the mid-14th century, such plasterwork continued to be dominated by motifs of Islamic origin that are similar to contemporary Almoravid, Almohad, or Nasrid art. After the mid-14th century, other motifs were added to this repertoire, such as vine and oak leaves inspired by Gothic art and, later, figures of people and ...
A distinctive style of blue-and-white fritware, influenced by Chinese motifs and often attributed to an early stage of Iznik tilework, is evidenced by the late 15th century and characterizes the early 16th century. Iznik tiles became highly favoured during the rest of the 16th century and reached their artistic peak in the second half of the ...
Rustication therefore often reverses the patterns of medieval and later vernacular architecture, where roughly dressed wall surfaces often contrast with ashlar quoins and frames to openings. Regular smooth-faced rustication (left) turns to horizontal banded rustication at the corner of Castle Howard in North Yorkshire, England.
Flemish bond is a pattern of brickwork that is a common feature in Georgian architecture. The pattern features bricks laid lengthwise (stretchers) alternating with bricks laid with their shorter ends exposed (headers) within the same courses. This decorative pattern can be accented by glazing or burning the exposed ends of the headers so that ...
Strapwork became popular in England in the late 16th and 17th centuries as a form of plasterwork decorative moulding used particularly on ceilings, but also sculpted in stone for example around entrance doors, as at Misarden Park (1620), Gloucestershire, or on monumental sculpture, as on the frieze of the monument to Sir John Newton (d.1568 ...