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For example, there is no red, or green, or blue in that world. Redness, greenness, and blueness are phenomena that are created by the cortex of the experiencing individual. A musical quality, the flavor or the wine, or the familiarity of a face is a rapid creative synthesis that cannot, in principle, be explained as a mere sum of elemental ...
Lewis-Williams first published some of the ideas that would form the basis for his argument in The Mind in the Cave in a 1988 academic paper co-written with Thomas Dowson entitled "The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art" Fellow archaeologist Robert J. Wallis would later characterise this as "one of the most controversial papers" in rock art research.
Art-based research is a mode of formal qualitative inquiry that uses artistic processes in order to understand and articulate the subjectivity of human experience. [ 1 ] [ 2 ] [ 3 ] The term was first coined by Elliot Eisner (1933–2014) who was a professor of Art and Education at the Stanford Graduate School of Education and one of the United ...
One approach to Eastern art history divides the field by nation, with foci on Indian art, Chinese art, and Japanese art. Due to the size of the continent, the distinction between Eastern Asia and Southern Asia in the context of arts can be clearly seen. In most of Asia, pottery was a prevalent form of art.
An example of how modernist art can apply older traditions while also incorporating new techniques can be found within the music of the composer Arnold Schoenberg. On the one hand, he rejected traditional tonal harmony , the hierarchical system of organizing works of music that had guided musical composition for at least a century and a half.
The object of consciousness is called the intentional object, and this object is constituted for consciousness in many different ways, through, for instance, perception, memory, signification, and so forth. Throughout these different intentionalities, though they have different structures and different ways of being "about" the object, an ...
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Schopenhauer believed that while all people were in thrall to the Will, the quality and intensity of their subjection differed: Only through the pure contemplation . . . which becomes absorbed entirely in the object, are the Ideas comprehended; and the nature of genius consists precisely in the preëminent ability for such contemplation. . . .