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For example, there is no red, or green, or blue in that world. Redness, greenness, and blueness are phenomena that are created by the cortex of the experiencing individual. A musical quality, the flavor or the wine, or the familiarity of a face is a rapid creative synthesis that cannot, in principle, be explained as a mere sum of elemental ...
Hinduism influenced Buddhism, which accepts only four Mahābhūtas, viewing Akasha as a derived (upādā) element. These five elements of the Indian cosmological system are static or innate in comparison to five element, phases or the transformational theory used within China's Wuxing philosophy. [5]
Consciousness element (viññā ṇ a-dhātu) Described as "pure and bright" ( parisuddha ṃ pariyodāta ṃ ), used to cognise the three feelings ( vedana ) of pleasure, pain and neither-pleasure-nor-pain, and the arising and passing of the sense contact ( phassa ) upon which these feelings are dependent.
One approach to Eastern art history divides the field by nation, with foci on Indian art, Chinese art, and Japanese art. Due to the size of the continent, the distinction between Eastern Asia and Southern Asia in the context of arts can be clearly seen. In most of Asia, pottery was a prevalent form of art.
According to philosophical materialism, mind and consciousness are caused by physical processes, such as the neurochemistry of the human brain and nervous system, without which they cannot exist. Materialism directly contrasts with monistic idealism, according to which consciousness is the fundamental substance of nature.
[1] [2] Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience. [3] Schopenhauer's aesthetic theory is introduced in Book 3 of The World as Will and Representation, Vol. 1, and developed in essays in the second volume.
The object of consciousness is called the intentional object, and this object is constituted for consciousness in many different ways, through, for instance, perception, memory, signification, and so forth. Throughout these different intentionalities, though they have different structures and different ways of being "about" the object, an ...
A kosha (also kosa; Sanskrit कोश, IAST: kośa), usually rendered "sheath", is a covering of the Atman, or Self according to Vedantic philosophy. The five sheaths, summarised with the term Panchakosha, are described in the Taittiriya Upanishad (2.1-5), [1] [2] and they are often visualised as the layers of an onion. [3]