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"Hey Little Cobra" is a song released in 1963 by The Rip Chords about the Shelby Cobra. The song was produced by Terry Melcher and Bruce Johnston, who also sang vocals. [2] The song spent 14 weeks on the Billboard Hot 100 chart, peaking at No. 4, [3] while reaching No. 5 on Canada's CHUM Hit Parade [4] and No. 3 on New Zealand's "Lever Hit ...
"Low Rider" is a song written by American funk band War and producer Jerry Goldstein, which appeared on their album Why Can't We Be Friends?, released in 1975. It reached number one on the Billboard R&B singles chart , peaked at number seven on the Hot 100 singles chart, and number six in Canada (number 69 in the Canadian year-end chart [ 6 ] ).
A lowrider or low rider is a customized car with a lowered body that emerged among Mexican American youth in the 1940s. [3] Lowrider also refers to the driver of the car and their participation in lowrider car clubs , which remain a part of Chicano culture and have since expanded internationally.
Apr. 30—The mayor of Santa Fe proclaimed May 22, 2016, to be Lowrider Day. The occasion was a New Mexico History Museum exhibit celebrating lowriders and lowrider culture in Northern New Mexico.
There is a picture of that foursome — Terry Melcher, Bruce Johnston, Ernie Bringas, Phil Stewart — on the inside cover of the 2006 CD booklet, along with photos of the touring Rip Chords. [32] The Rip Chords' last significant release was the single "One Piece Topless Bathing Suit" in June 1964, with Bringas and Melcher singing lead. [33]
"Lowrider" is a single by the American hip hop group Cypress Hill, the second single from the album Stoned Raiders. The song is featured in the British TV series Soccer AM . The song was the second part of the double A-Side single it shared with " Trouble " in Europe.
Kenny Loggins had a run of successful singles in the '80s, when he was known as the "King of the Movie Soundtrack." His 1984 No. 1 hit, "Footloose," from the movie of the same, was one of the ...
"Please Don't Touch" is an instrumental track with many time signature changes that features prominent use of the Roland GR-500 guitar synthesiser. Hackett originally pitched the song for Genesis to rehearse during the Wind & Wuthering sessions, but the song was rejected. [ 6 ]