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Portal:Classical music/Quotes/13 And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
Musical quotation is to be distinguished from variation, where a composer takes a theme (their own or another's) and writes variations on it.In that case, the origin of the theme is usually acknowledged in the title (e.g., Johannes Brahms's Variations on a Theme by Haydn).
Experts explain why the music of a person’s youth has such a powerful hold. ... Here’s why music from your younger years leaves a lasting impact. Jemal Polson, CNN. November 10, 2024 at 10:37 ...
30+ Selena Quintanilla Quotes About Music, Being Mexican and Her Ambition. Alani Vargas. April 15, 2024 at 8:10 PM.
Framing all the great music out there only drags down its immediacy. The songs are lyrics, not speeches, and they're tunes, not paintings. Writing about music is like dancing about architecture—it's a really stupid thing to want to do. [2] [10] Costello subsequently became widely identified with the quote.
When discussing the impact of music on an environment so often typified by isolation, one of the patients describes his desire for freedom." [ 16 ] He says the film is "scattered but moving", adding that "The most potent emotional response comes from the mixture of joy, gratitude and recognition of the passage of time visible on a handful of ...
The same music could be associated with a wide range of emotional responses in the listener. Chabanon rejected the rhetorical approach to music, because he did not believe that there was a simple correspondence between musical characteristics and emotional affects. Much subsequent philosophy of music depended on Chabanon's views. [9]