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The United House of Prayer For All People (UHOP), an African-American denomination founded in 1919 in Massachusetts, is particularly known for its shout bands and distinctive form of shout music: brass players, predominantly trombone-based, inspired by jazz, blues and Dixieland, gospel and old-time spirituals: a more soulful/spiritual version ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Traditional black gospel [1] is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music.
Black composer and musician Thomas A. Dorsey, became a highly influential figure in Black gospel music beginning in the 1920s and 1930s. He earned the title of the “Father of Gospel Music” for ...
One writer offered this description of the revival in 1998: All told, more than 2.5 million people have visited the church's Monday prayer and Tues-through-Saturday evening revival services, where they sang rousing worship music and heard old-fashioned sermons on sin and salvation.
Gospel Liturgy: a prayer-book for churches, congregations, and families, Universalist Church in America (1861) Social Hymns and Tunes, American Unitarian Association (1869) Vestry Harmonies: a collection of hymns and tunes for all occasions of social worship, Universalist Church in America (1871)
"Down in the River to Pray" (also known as "Down to the River to Pray," "Down in the Valley to Pray," "The Good Old Way," and "Come, Let Us All Go Down") is a traditional American song variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a Southern gospel song. The exact origin of the song is ...
The Black sermonic tradition, or Black preaching tradition, is an approach to sermon (or homily) construction and delivery practiced primarily among African Americans in the Black Church. The tradition seeks to preach messages that appeal to both the intellect and the emotive dimensions of humanity.
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