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Kunrei-shiki romanization (Japanese: 訓令式ローマ字, Hepburn: Kunrei-shiki rōmaji), also known as the Monbusho system (named after the endonym for the Ministry of Education, Culture, Sports, Science and Technology) or MEXT system, [1] is the Cabinet-ordered romanization system for transcribing the Japanese language into the Latin alphabet.
The earliest Japanese romanization system was based on Portuguese orthography.It was developed c. 1548 by a Japanese Catholic named Anjirō. [2] [citation needed] Jesuit priests used the system in a series of printed Catholic books so that missionaries could preach and teach their converts without learning to read Japanese orthography.
Genki I focuses on beginner-level Japanese, from kana on through adjective and verb constructions, and Genki II continued on to intermediate-level topics. Both books are divided into a Conversation and Grammar section and a Reading and Writing section, each containing their own sets of 23 lessons. Each lesson follows a predictable structure.
Nihon-shiki (Japanese: 日本式ローマ字, lit. 'Japan-style', romanized as Nihonsiki in the system itself) is a romanization system for transliterating the Japanese language into the Latin alphabet. Among the major romanization systems for Japanese, it is the most regular one and has an almost one-to-one relation to the kana writing system.
Although Kunrei-shiki romanization is the style favored by the Japanese government, Hepburn remains the most popular method of Japanese romanization. It is learned by most foreign students of the language, and is used within Japan for romanizing personal names, locations, and other information, such as train tables and road signs.
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
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In Japanese this is an important distinction in pronunciation; for example, compare さか, saka, "hill" with さっか, sakka, "author". However, it cannot be used to double an n – for this purpose, the singular n (ん) is added in front of the syllable, as in みんな ( minna , "all").
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