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The Deutsches Museum (German Museum, officially Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik (English: German Museum of Masterpieces of Science and Technology)) in Munich, Germany, is the world's largest museum of science and technology, with about 125,000 exhibited objects from 50 fields of science and technology. [1]
Museum Tuscherschloss und Hirsvogelsaal (Museum Tucher Mansion and Hirsvogel Hall) Spielzeugmuseum Nürnberg (Nuremberg Toy Museum) Stadtmuseum Fembohaus (City Museum at Fembo House) Science and nature museums. DB-Museum (DB Railway Museum) Deutsches Museum Nürnberg (Future Museum) Museum Industriekultur (Museum of Industrial Culture)
The concept design process for the exhibition was led by the director of the Deutschlandmuseum, Robert Rückel and designer Chris Lange (Creative Studio Berlin). Robert Rückel is responsible for the permanent exhibitions in the neighbouring German Spy Museum (2018) and previously led the team at the DDR Museum (2006). [5] [6]
The Germanisches Museum, as it was named initially, was founded by a group of individuals led by the Franconian baron Hans von und zu Aufsess, whose goal was to assemble a "well-ordered compendium of all available source material for German history, literature and art".
The Glyptothek (German: [ɡlʏptoˈteːk] ⓘ) is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- glypto-"sculpture", from the Greek verb γλύφειν glyphein "to carve" and the noun θήκη "container").
The German Architecture Museum (German: Deutsches Architekturmuseum) (DAM) is located on the Museumsufer in Frankfurt, Germany. Housed in an 18th-century building, the interior has been re-designed by Oswald Mathias Ungers in 1984 as a set of "elemental Platonic buildings within elemental Platonic buildings". [ 2 ]
The Museum is thus divided into Art (Kunst), Architecture (Architektur), Design (Design) and Works on Paper (Graphik). The first floor, containing the art collection, has ample natural light from above, augmented by computer-controlled lamps, designed to keep a consistent, nearly shadowless illumination against the gray floors and white walls.
A commission consisting of 16 leading historians, art historians and museum directors worked out a concept for the museum in 1985/86 and put it up for discussion in public hearings in 1986. The final version became the basis for the founding of the DHM. The core of the museum's brief was to present German history in an international context.